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On reaching the temple of Vishnu, on the very threshold, we met an elephant marching in front of the Brahmin priests, who were carrying water in copper amphor? to bathe the idols withal. Musicians followed the elephant, playing on bagpipes, on a kind of little trumpet, very short and shrill-toned, and on drums; and the beast, with its trunk swaying to right and left, begged a gift for the expenses of the temple.

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A tea-party in the afternoon at the yacht club. The ladies in smart dresses, the talk all of fashionable gossiphow far away from all I had been seeing. An European atmosphere, where a touch of local colour was only suggested by the native servants. The plague, the ruling terror when I was last in Bombay, was forgotten; the only subject now was the Jubilee, and the latest news from England arrived by that day's mail.There was always the same torture of the horses, too small and too lean for their work, galloping the five miles of the stage and then stopping dead on the spot, incapable of moving, hustled by the fresh team that rushed off on its wild career.Whenever our green driver meets another ekka-driver they both get off their perch and take a few puffs at the hookah that hangs in a bag at the back of the vehicle.

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THREE:On the stone ceiling of almost every temple four large women's faces and certain crouching[Pg 75] gnomes appear in fresh red paint. In the very dim twilight that comes in through the narrow windows hung with blue gauze, the idols are visible behind lattices: white Buddhas blazing with sparkling gems that hang on their wrists and ankles, or form a perfect breastplate; and every one, without exception, has an enormous glittering imitation diamond in his forehead.Inside, after going through a long array of rooms filled with sham European furniturehandsome chairs and sofas covered with plush, Brussels carpets with red and yellow flowers on a green groundwe came to the throne-room, an enormous, preposterous hall, which, with its rows of cane chairs and its machine-made Gothic woodwork, was very like the waiting-room or dining-room of an American hotel.
FORE:When a native comes to ask a favour he brings a few rupees in his hand, and the patron must take them and hold them a few minutes. A retired Sikh trooper had come to see his son, now a soldier in the regiment, and met the colonel, who asked him whether he could do anything for him, to which the other replied:
TWO:At the bottom of the steps, almost in the street, was another school at the entrance to a temple. The children, in piercing tones, were all spelling together under the echoing vault, a terrible noise which seemed to trouble nobody.Amid hanging swathes of creepers, in a fold of the hill stands another temple, of red stone, very gloomy; and, in its depths, a rigid white Buddha, with purple shadows over his eyes of glittering crystal. And so on to temples innumerable, so much alike that, seeing each for the first time, I fancied that I was retracing my steps; and endless little shrine-like recesses, sheltering each its Buddha, make blots[Pg 43] of shadow on the bright ochre-coloured stone of the cliffs. For centuries, in the rainy season, thousands of pilgrims have come, year after year, to take up their abode in these cells, spending the cold weather in prayer and then going off to beg their living and coming back for the next wet season.
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THREE:Then starting to his feet, and stretching out his arm to point at me, he poured forth invective in sharp, rapid speech. The words flowed without pause:

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THREE:The road goes on. Trees cast their shade on the flagstone pavement, but between the houses and through open windows the sandy plain may be seen, the endless whiteness lost in a horizon of dust.Spread before us in the iridescent atmosphere, the view extends over Palitana under its blue veil of light smoke, over the verdant plain chequered with plots of brown earth, and the winding ribbon of the Satrunji, a river as sacred to the Ja?ns as the Ganges is to the Brahmins. And far away, vague in the distance, a light shimmering more brightly where all is bright, lies the luminous breadth of the sea.

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FORE:Colombo again; and again the jewellers and their blue stonesan intoxicating, living blue.
THREE:Flocks of almost tame partridges and wood-pigeons occupying the road did not fly till they were almost under the horses' feet, and all the way as we went, we saw, scampering from tree to tree, the scared little squirrels, grey with black stripes and straight-up bushy tails.

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THREE:Near a small station oxen were filing slowly past. On their heads were hoops hung with bells, and little ornaments at the tips of their horns dangled with quick flashes of light.

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THREE:

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THREE:In front of the palace, beds filled with common plants familiar in every European garden fill the place of honour; they are very rare, no doubt, in[Pg 54] these latitudes, and surprising amid the gorgeous hedges of wild bougainvillea that enclose the park.And the figures go down after long discussions, till at last the question as to whether I know the worth of pashmina begins all over againendless.

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  • FORE:At the end of the passage was a sort of den, where, through the open door, I caught sight of a marvellous Indian hanging of faded hues on a pale ground, hidden in places by stains; the noble pattern represented a peacock spreading his tail between two cypresses.

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  • FORE:"How much for this stuff?"[Pg 136]

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  • FORE:By three in the morning we had started on our way. At the very first streak of day, in front of us, on the road, was a snow-leopard, a graceful supple beast, with a sort of overcoat above its grey fur spotted with black, of very long, white hairs. It stood motionless, watching some prey, and it was not till we were close that it sprang from the road with two bounds, and then disappeared behind a rock with an elastic, indolent swing.And from every stone, and in the rifts in the rocks, hung stalactites, like glittering icicles, and these too were of salt.

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  • FORE:We went into the observatory, where the servants were sleeping in the open air on camp beds, lying across each other and blocking the entrance.[Pg 177] I went to gaze at the north star, looking very small, a tiny spangle of blue in the blue velvet sky, visible at the top of a crazy flight of steps that goes up to nowhere in the air from the topmost terrace.

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  • FORE:We sailed past the holy city in a heavy, massive junk, the prow formed of a snake with its head erect and jaws yawning, down the Ganges, all rippled with rose and blue. Palaces, and more palaces, with thick walls and towers, that look like bastions, stand in perspective as far as the eye can see. Windows and balconies are cut in the ponderous masonry at the level of the third floor, and high above these rajahs' dwellings rise the domes of the temples, pointing skywards among tall trees that spread their shade on the russet stonework. At the foot of the palaces, steps lead down to the river, divided by little stages covered with wicker umbrellas that shine in the sun like discs of gold; under these, Brahmins, after bathing, were telling their beads. Now and again they dipped their fingers in the sacred waters and moistened their eyes, forehead, and lips.At the top of the street a caravan of moollahs were performing their devotions at the tomb of a Mohammedan saint, whose sarcophagus was enclosed within a balustrade of marble and a border of lilies, alternately yellow and green, with large full-blown flowers in blue, fragile relics that have[Pg 223] survived for centuries amid ruins that are comparatively recent.

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  • FORE:The road lay among flowers, all-pervading; in the fields, on the rocks, on the road itself, pink flowers or lavender or white; bright moss, shrubs and trees in full bloom, and hovering over them birds of changing hue and golden butterflies.

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THREE:At the bottom of a wide flight of steps flows the Ganges, translucent, deeply green, spangled with gold. The bathers, holding the little brass pots that they use for their ablutions, are performing the rites, surrounded by large yellow fishes spotted with green. Pink and white stuffs are spread to dry on the steps, flowers are scattered on the stream, long wreaths are floating down the river, curling and uncurling at the caprice of the current.
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FORE:Music attracted us to where the cross-roads met, darboukhas struck with rapid fingers and a bagpipe droning out a lively tune. The musicians sat among stones and bricks, tapping in quick time on their ass's-skin drums, beating a measure for some masons to work to. Women carried the bricks men spread the mortar; they all sang and worked with almost dancing movements in time with the music, as if they were at play.
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Fakirs, holding out their begging-bowls as they squatted round an opening in the ground, showed that it was the entrance to a temple; a few steps down, a long corridor with little niches on each side, and then hall after hall full of grimacing gods, lighted up by our guide's torch, till at last we reached an immense vault where impenetrable darkness filled the angles lost in a labyrinth of arcades converging to some mystery. Here all the Hindoo gods, carved in stone, have been crowded together, with their horrible contortions, their stolid beatitude, their affected grace; and in their midst is a huge idol, hacked with a great cut by Aurungzeeb, the Moslem emperor, at the time of his conquest. Suddenly all about us was a crowd of Brahmins, appearing from what dark corners we could not discover. They looked nasty and half asleep, and vanished at once with a murmur of whispered speech that hung about the galleries in an echo.
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